Really great fortune occasionally strikes when you’re
arriving in a new town, and this time we hit the jackpot as we slunk into Saigon
late in the day – and our bus deposited us right next to the road our hostel
was situated in. Which, for a city this big, was a fantastic result! Two
minutes later (one minute of which was spent lifting our heaving rucksacks – we
really are travelling with mega-rucksacks it seems compared to other people) we
were checked in. The only slight downfall of this hostel was the five floors we
had to climb before we reached our room – but it was great exercise (so we tell
ourselves), and the room was lovely (plus there was a nice city view from the
rooftop to reward us for the climb). We shoved our bags onto the bed and went
hunting for some food.
Our Hostel Street |
It probably wasn’t so much good fortune as inevitable that
we ended up so near our hostel, as we’d booked ourselves into the equivalent of
the Khao San Road in Bangkok. This meant that food was plentiful, and we easily
found some yummy Pho to enjoy. We would return more than once for dinner here –
the chicken noodle soup was amazing, with wide thick noodles and a huge plate
of greenery to embellish your bowl with.
Notre Dame cathedral |
We had three days in Ho Chi Minh City (formerly Saigon – it
was renamed after the North Vietnamese leader, Ho Chi Minh, following the fall
of Saigon in 1975 that marked the end of the war) and we’d be working through
one of these, so we started with the biggest attraction, the War Remnants
Museum. Before we reached the museum, we took in the grand sight of the Notre
Dame cathedral, the decadent Post Office building, and the Reunification Palace
(scene of the Fall of Saigon).
This was closed for lunch so we moved on the
museum… where we remained for the rest of the afternoon.
Within moments of walking through the gates, you are
assaulted with the sight of planes, tanks, guns and machinery spread around the
courtyard, plus heaped in one corner some (defused) unexploded ordnance from
the war as a telling reminder of the problems suffered since the air assaults
across SE Asia during the war (in Laos in particular).
The name of the museum has evolved over time, originally a
slap in the face to the US (named the ‘Exhibition House of US and Puppet Crimes’),
and even more so since they housed the museum in an American Information Agency
building, but over time it has been renamed as diplomatic tension between the
US and Vietnam has eased (working its way through ‘Exhibition House for Crimes
of War and Aggression’ to the less inflammatory ‘War Remnants Museum’). This
surface attitude change may not have translated to the exhibits, however, as
some of the descriptions are very one-sided and you find yourself sifting
through what you think you know about the war to let the exhibits slot into
place in your mind. However, even if some of the exhibits are one-sided, and
littered with propaganda, the museum remains a fascinating and horrifying
source of war artefacts and stories.
The frighteningly realistic re-enactment
of the conditions in which Viet Cong prisoners were kept by the South Vietnamese
forces cannot help but instil a swooping fear in visitors – barbed ‘tiger
cages’ are on display (human-sized cages in which prisoners were shackled, often on the
ground as a form of torture) and several weapons and accounts of torture line
the walls of the prison area.
'Tiger Cages' |
Inside the museum, there are three levels, the first being a
more upfront form of propaganda (war posters) and then moving upstairs to a
display on the aftermath of using Agent Orange as a defoliant, plus a final
floor of War Photography.
The Devastating Effects of Agent Orange |
These two floors were the most interesting, and felt
more legitimate and balanced in many ways – it is well documented that Agent Orange was the
architect of more than just a forest clearance during this war, and there are
harrowing accounts of families afflicted by the aftermath as the Vietnamese have watched
their children born deformed, seen family members die young due to cancer and
other illnesses perpetrated by the chemicals in Agent Orange, suffered
miscarriages, and been unable to grow food to feed their families that had not
been grown on contaminated land. There are myriad photographs distilling the
impact of the war into individual experience as the victims, their children and
wider family adapt to their disabilities and the enormous loss of life. Over 5 million acres of forest, plus several
million more acres of farmland, were destroyed and contaminated during the war,
and it is estimated by the Red Cross that around 3 million people have been
affected either directly (killed or maimed) or due to indirect effects (children
born with birth effects, or future generations suffering the consequences from family
members eating food from contaminated land or animals). The ecological legacy is also difficult to comprehend – Agent Orange contains a dioxin, a persistent
chemical compound that is deeply polluting and destructive, and this is still
present in Vietnamese soil (which persists and accumulates in food chains,
leading to poisoning of top carnivores, and inevitably to further poisoning of
the human population…).
It was also interesting, and surprising given the tone of
some of the other exhibits, to see some accounts of US war veterans affected by
Agent Orange dissemination. Compensation for the effects of Agent Orange, for
both US veterans and the Vietnamese people, has been incredibly slow to
initiate, but justice has gained momentum in recent years and now the US and
Vietnam are working more closely to repair the damage, to the environment at
least, that was inflicted upon the country. Whether this will translate to
longer term compensation for all the victims as well as the Vietnamese
environment… who knows?
The War Photography exhibit showed the work of several
famous photographers, many of whom were killed in combat areas, and it was
perhaps the most interesting (and sobering) part of the museum because you
could witness the reality of active combat and its immediate aftermath (and
often pre-combat moments too). It was also interesting to see some of the
articles published in the US press using many of these photographs, which
helped contribute to the changing perception of the war in America. Photographs
direct from the frontline were very powerful, and famous photos, such as that
of Kim Phuc (the famous image of a young girl running from a napalm bomb,
covered in burns) had such an impact that the tide of public opinion began to
turn away from the war and towards withdrawal of troops. The famous story of
Kim Phuc can be understood by reading The Girl in the Picture (http://www.amazon.co.uk/Girl-Picture-Remarkable-Vietnams-Casualty/dp/0743207033),
a book you can buy on every street corner here (usually photocopied!) and which
provides a popular example of the power of war photography to influence public
opinion, and arguably, to present civilian populations with a more realistic
idea of the impact of war. The ability of photos to arouse emotion can also be
manipulated, which makes an exhibition like this in a propagandist museum even
more interesting… and you could spend days discussing the power of museums to
influence opinion too, but that might make your head hurt…
Despite the sense that the representation of some of the museum exhibits was one-sided, with careful wording used to misdirect and re-educate, it was so interesting and a worthwhile way to spend an afternoon.
It had been an intense few hours, and by the time the museum
was closing (a bell rang to alert us to this fact!) we found we had to rush
around the last few photos to see everything. We took a slow walk back to Pham
Ngu Lau (HCMCs Khao San Rd) to consider everything we’d seen. On the way, we
realised that the traffic was starting to mirror Hanoi – well almost – as the
motorbikes were broken out for the evening rush hour! Here’s a quick video to
give you an idea of how mental it gets out here (check out the biker at the end driving across the pavement to jump into the fray - this was very common!)):
When we got back we decided to go for a few ‘recovery beers’
at the Bookworm café, which we enjoyed while playing a contemplative game of
chess that involved a near-complete removal of all pieces and a virtual
stalemate, followed by a trip back to the noodle restaurant for more great Pho
to absorb all the beer.
Speaking of beer, we were browsing in a second hand book
shop the next morning, trying to find original books (rather than the endless
photocopies lining the shelves in every bookshop I’ve seen so far) when who
should we bump into but our German friends from Cat Ba Island! Considering we’d
now bumped into them in Hué and (though none of us quite realised it at the
time) had also passed each other in Mui Ne (we must have just been too relaxed
to notice, but apparently they were convinced they’d caught a glimpse of us in
Lam Tong’s!), it felt fated that we should actually get together for a drink
before they flew home the next day. When we’d originally met, we’d been
vigilant about not drinking on our malaria tablets, but that fell by the
wayside in Hoi An (with all the fresh beer!) so this time we were ready to
actually have a proper drink. Making plans to rendezvous at the Bookworm café
that evening, we headed off to explore some more.
'CD Rack Building' |
It’s a bit hard to top the intense museum experience of the
previous day, but we tried our best with a visit to the Ho Chi Minh City
Museum. This was actually a little underwhelming, regardless of comparisons,
though the building and the views from the balcony were pretty spectacular
(this had previously been used by President Diem before and during the war). However,
we did get to see yet another Vietnamese wedding being photographed (you can
see these in any picturesque area of Vietnam – the lake in Hanoi had a few
too!).
Ho Chi Minh City Museum |
We took a break for lunch in a cute park near the
Reunification Palace (which we couldn’t quite face going into, though it looked
impressive from the outside), before walking outside the main part of town to
see the Jade Emperor Pagoda, which was fairly small and therefore very
claustrophobic as it got busy, and so hot inside!! It was hot everywhere, but
the heat pummelled you inside so you found your way back to the entrance almost
gasping for air.
Reunification Palace |
'I Like Turtles' |
The courtyard was nice though, and a great place to recover from delving inside, as there was a shaded, leafy area surrounding a half-drained pool, with another healthier looking pool of well-fed turtles alongside the main building. You did have to watch out for the pigeons though!
Before the sun set, we took a long walk to the river, found
an ice cream to cool us down, and wandered back to our hotel via the market
(knock off Dr Dre beats headphones, anyone? You can get a pair for a tenner…).
As it was such a hot day we recovered with a splash of aircon before we went to
the Bookworm café for a drink with Steffi, Markus and Bjorn. Bargain beers, great company, and books and games all around us - what better way to spend an evening!
I decided to start work early the next morning, so I had a headstart on the UK
day. The hotel seemed to feel sorry for us being stuck indoors while all their
other guests were out sightseeing, so every now and again they would bring us
over a free cup of tea or coffee, or some bread and bananas to keep us going!
All in all, it was a pleasant way to work – with a fan directed at us to keep
us cool, and a plentiful supply of snacks and drinks.
As we’d started so early, we knocked off early too, and
treated ourselves to a bottle of Dalat wine for our last night in Vietnam. In a day of earliness, we also got an early
night as the bus the next day would be gruelling (and early too). Time for another border crossing, this time to
Cambodia!
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